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Andrea Doe — Screenwriter,

Script Supervisor & Media Manager

Honolulu-based Screenwriting, Script Supervising, and Media Management services for film, television, and broadcast media.

With over 20 years of professional experience across filmmaking, screenwriting, post-production, and broadcast television, I bring precision, storytelling insight, and technical fluency to every project. Operating under Scripty Screenwriter, I support productions from development through delivery—ensuring creative clarity, on-set continuity, & broadcast-ready media assets.

 

Script Supervisor     

(I like being called Scripty)

As an experienced Script Supervisor, I provide comprehensive on-set and post-production documentation that supports directors, editors, and production teams.

Core Script Supervising Services:

  • Accurate lined scripts, facing pages, and editor logs
  • Detailed daily progress reports
  • Continuity tracking for actor movement, performance, props, hair, makeup, and wardrobe
  • Precise script breakdowns and shot lists to ensure full coverage

As an Apple Certified Professional in Final Cut Pro and seasoned video editor, I understand editorial workflows and anticipate the information editors need to work efficiently. My attention to detail ensures continuity consistency and minimizes costly reshoots.

 

Screenwriter & Independent Filmmaker

I am an award-winning screenwriter, writer-director, and producer, with hands-on experience across every phase of production.

Feature Film Experience

As the writer, director, and producer of the feature film Saucy Flyer UFO PI, I led:

  • Pre-production planning

  • Principal photography

  • Post-production and delivery

The film premiered at the 29th Denver Film Festival with a Saturday Midnight Screening and became the first sell-out screening at the festival. It also screened at the Santa Fe Independent Film Festival.

This full-spectrum filmmaking experience strengthens my work as a Script Supervisor and Screenwriter, allowing me to collaborate effectively with directors, producers, editors, and crews.

Film website: www.saucyflyer.com

Adapting Books into Screenplays

Master of Fine Arts (MFA) in Screenwriting

I specialize in adapting novels and literary works into feature-length screenplays, blending creative interpretation with strong cinematic structure. My training includes mentorship from esteemed UCLA faculty Linda Vorhees and Lew Hunter.

Adaptation Process

Source Material Analysis
I begin by reading and re-reading the original work to fully understand character psychology, themes, narrative voice, and world-building. This deep analysis forms the foundation of a successful adaptation.

Cinematic Structure & Story Design
Books and films demand different storytelling approaches. Applying classical three-act structure, pacing, and visual storytelling principles, I identify key plot points, character arcs, and thematic beats—preserving the spirit of the source material while crafting a screenplay designed for the screen.

Video Editor & Media Manager

As a professional Media Manager, I specialize in broadcast-ready asset preparation, quality control, and digital distribution for high-profile content.

Media Management & Broadcast Expertise

  • Precise data entry and asset tracking across multiple databases

  • File analysis and transcoding using:

    • Telestream FlipFactory

    • Rhozet Harmonic Carbon Coder

    • AWS Elemental Conductor

    • Adobe Media Encoder

  • Routing, encoding, and distribution of premium content including UFC, MMA, WWE, and Boxing

Quality Control & Compliance

  • Broadcast legal video and audio levels

  • Audio channel configuration and PID layouts

  • Codec and format verification

  • Captioning (.scc creation, ripple, and merge)

  • Metadata accuracy, AFD codes, and Nielsen watermarking

Audio expertise includes: PCM, AC3, Dolby E, Dolby Digital, SAP, Faux 5.1, 8-channel PCM Mono, 10-PID Transport Streams, and Multi-Channel Stereo.

My methodical approach ensures every asset meets technical, legal, and network specifications—on time and without error.

Why Work With Me

  • 20+ years of professional media experience

  • MFA-trained screenwriter with real-world production credits

  • Script Supervisor with editor-level insight

  • Broadcast media specialist trusted with high-profile assets

Whether you need a Script Supervisor, Screenwriter, Book-to-Screen Adapter, or Media Manager, I bring clarity, structure, and reliability to your production.

Andrea Doe
Screenwriter • Script Supervisor • Media Manager
Honolulu, Hawaii

I’ve rewritten your site copy with SEO-focused headings, keyword-rich language, and clear service sections, while keeping your voice professional and credible. The structure is optimized for:

  • Script Supervisor / Scripty

  • Screenwriter

  • Book-to-Screen Adaptation

  • Video Editor & Media Manager

  • Broadcast & Post-Production workflows

This version is designed to:

  • Rank better for “Script Supervisor,” “Screenwriter,” “Media Manager,” “Book to Screen Adaptation,” and “Broadcast Media”

  • Be easy to scan for producers, directors, and post supervisors

  • Convert well into homepage + service subpages if you expand later

Next improvements (optional but powerful for SEO)

If you want, I can:

  1. Create SEO meta titles & meta descriptions for each page

  2. Break this into separate service pages (best for Google ranking)

  3. Rewrite it for a homepage version + About page

  4. Optimize it for Los Angeles / Hawaii / Remote production searches

  5. Add a call-to-action section for hiring inquiries

Just tell me how you plan to use it (single-page site, Squarespace/Wix, or multi-page WordPress), and I’ll tailor it exactly to that platform.

Video Editor &

Media Manager

     As a Media Manager, I specialize in meticulous data entry into multiple databases, ensuring adherence to broadcast standards. I analyze delivered files and employ various transcode engines such as Telestream FlipFactory, Rhozet Harmonic Carbon Coder, AWS Elemental Conductor, and Adobe Media Encoder to ensure digital assets go to air with the correct format, file extension, audio configuration, broadcast levels, and watermarks.  My responsibilities include meticulously routing, encoding and distributing high-profile assets, including UFC, MMA, WWE, and Boxing content. I efficiently transcode proxies for Digital Assets to facilitate .scc file creation and then ripple and merge .scc files. Additionally, I am adept at screening content and ensuring compliance with legal video/audio broadcast levels, audio channel configuration, codecs, formats, file extensions, durations, captioning, content metadata, AFD codes, and Nielsen watermarks. Furthermore, my expertise encompasses screening audio for PID layout and audio codec details, covering a range from PCM and AC3 to Dolby E, Dolby Digital, SAP, Faux 5.1, 8-channel PCM Mono, 10-PID Transport Stream, and Multi-Channel Stereo. My commitment to precision and comprehensive scrutiny guarantees efficient management and distribution of Digital Assets across multiple platforms.